Survey Data

Reg No




Categories of Special Interest

Architectural, Artistic

Original Use


In Use As



1775 - 1780


316050, 233539

Date Recorded


Date Updated



Attached three-bay four-storey former house over basement, built 1776-9 as one of pair with No. 15, having six-bay two-storey return at west end of rear of building, and mews house to rear of plot. Now in commercial office use. Two pitched roofs running parallel to street, behind red brick parapet walling with ashlar banding and cornice, rear roof hipped to west, small hipped roof with rooflights at centre; tall shouldered chimneystacks to party walls with clay pots and rendered at east and red brick to west; and replacement cast-iron rainwater goods. Flemish bond colour-washed tuck-pointed red brick walling to ground and upper floors, ruled-and lined rendered basement walls with granite coping and having granite architraves to openings; rendered to rear, painted to basement. Square-headed window openings, diminishing in height to upper floors, with plain rendered reveals and granite sills, having cast-iron vignettes to first floor. Timber sliding sash windows, nine-over-six pane to ground and first floors, six-over-six pane to second floor and basement, and three-over-three pane to top floor; timber sash windows to rear, with round-headed stairs window to west end. Pain-style Portland stone Doric doorcase, having partly engaged Doric columns with plinth bases, square fluted capitals supporting open-bed pediment, plain fanlight with ovolo-moulded surround, and sixteen-panel raised-and-fielded timber door with brass furniture and single granite step, flanked by multiple-pane narrow sidelights. Door opens onto granite platform bridging basement with eleven granite steps to street level. Basement has terracotta tiled floor, and timber-sheeted door below platform. Basement area enclosed by wrought-iron railings on granite plinth wall with moulded coping. Building retains substantially intact interior plasterwork, joinery and other details. Ground and first floors have very fine plaster ceilings, friezes and cornices in style of Michael Stapleton, joinery with reeded or fluted, beaded or gadrooned details to door and window architraves, shirting boards, dado rails and shutter panels; fine mahogany doors with mahogany and brass box locks; some eighteenth-century crown glass survives to windows. Basement accessed from within return, and has stone-flagged floors, barrel-vaulted brick cellars, wine cellar with brick bins, pantry with stone shelves and round-headed windows to allow light between rooms; original doorways and fittings. Stone and brick-vaulted coal cellars under yard, accessed from within basement. Return first floor (possibly an addition) projects forward of ground floor and is supported on cast-iron post; brick walls to ground floor and rendered elsewhere; pointed-arch openings to ground floor, with Y-tracery to heads of four-over-four pane windows and churchwarden fanlight to doorway, with iron bars and masonry sills to windows; narrow vertical four-pane light to rear of house at junction with return, with octagonal panes. Substantially intact three-bay two-storey mews has pitched slate roof and lime-plastered brick walls; house-facing elevation has pointed-arch openings to ground floor, echoing those of house return and having Y-timber Y-tracery fanlights to door and one surviving window frame to ground floor, and first floor has square-headed openings comprising pitching door with three-pane overlight and two windows, that over doorway having six-over-three pane timber sliding sash window with octagonal panes; lane-side elevation to mews building has exposed red/yellow/brown brick walls and square-headed openings, windows boarded up, having double-leaf timber battened door towards west end; substantially intact interior retains stall dividers, tongue-and-groove panelling and other details.


A large late eighteenth-century house built for Ambrose Leet and is a pair with No. 15. The austere, yet grand, facade is distinguished by well-balanced proportions and a graded fenestration pattern, and is enlivened by a Pain-style Doric doorcase reached by an ample flight of granite steps. The Green developed in a more ad hoc fashion than the later Georgian squares, as is evident in the range of styles and the irregularities in the streetscapes. In conjunction with Nos. 15-17, the group presents a grand and dignified frontage and retains much of the original architectural character. It constitutes one of the few surviving links to the early origins of the Green. It retains a very substantially intact interior, with good plasterwork, joinery and other details to the ground and first floors. It also has a very intact basement with wine cellar, pantry and other features surviving. The return and mews house at the rear are original, rare and remarkably intact survivals.